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Trap is fine filmmaking

IN his latest directorial outing, M. Night Shyamalan brings audiences Trap – a film that dances on the edge of madness and suspense, delivering a story that is as peculiar as it is gripping.

Starring Josh Hartnett as Cooper, a father with dark secrets, Trap is the kind of movie that holds viewers hostage in its bizarre yet hypnotic embrace.

Concert like no other

The film kicks off innocuously enough, a father, Cooper, played with an unnerving calm by Hartnett, takes his teenage daughter Riley (Ariel Donoghue) to a concert headlined by pop star Lady Raven (Saleka Shyamalan). But this is no ordinary father-daughter outing and Trap quickly reveals its sinister underpinnings.

As the concert’s vibrant energy pulsates through the venue, it becomes clear that this event is a carefully laid trap, not just for the unsuspecting concertgoers but for someone far more dangerous.

The revelation that a notorious serial killer known as The Butcher is among the crowd transforms what could have been a simple thriller into something far more unsettling. What follows is a nerve-wracking cat-and-mouse game, in which it is never quite clear who is in control – Cooper, the police or the audience itself.

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