THERE has not been a film that DC Studios and Warner Bros Pictures desperately need to succeed more than James Gunn’s Superman. It has to fly faster than a bullet, hit harder than a train and more importantly, be more human than its colder predecessors. Despite the relatively low bar thanks to the previous decade of middling DC Comics films, Superman surpasses expectations.
Hovering right across the pitfall of subjecting the audience to another origin story, Gunn’s film drops viewers into the third year of Clark Kent (David Corenswet) already donning the red underwear and blue suit.
In a world full of metahumans, Superman is firmly established as being the strongest among his costumed super-peers, which draws questions from pundits, politicians and defense agencies on the alien immigrant’s beliefs, politics and agenda on earth.
After stopping the invasion of the fictional country of Jarhanpur by the more powerful Boravia, an ally to the US, Superman finds himself in the crosshairs of not only the US, but also Lex Luthor (Nicholas Hoult) and his girlfriend Lois Lane (Rachel Brosnahan).
This geopolitical intervention by Superman serves as the catalyst for the events in the film.
